A few theatrical agents were gathered together at a carnival, to see an act that everyone
was raving about. As everybody watched in awed silence, Bosco, the Great,
climbed up a ladder to a tiny pedestal, four hundred feet in the air.
On the pedestal, he took a deep breath, and then started to
pump his arms to and fro. The drums rolled until they reached a noisy
crescendo, and at this precise second Bosco, the Great, actually left the
pedestal and flew!
His arms pumping madly, he flew around the entire arena, up
and down, back and forth.
Just then one of the agents turned to another, and asked,
“is that all he does, bird imitations?”!
I SUPPOSE that some of you are wondering why I am teaching,
or have taught, all the memory feats in this
book. You think that since I am a performer, and my performance does
consist of memory stunts-I am creating competition for myself. Well, perhaps I
am, but it doesn’t bother me too much. I know that if any of you do want to
perform in front of an audience, you will have the ingenuity to put together
your own stunts and plan your own routine. And, most important, you will
realize that you have to sell yourself, not your memory feats.